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Bana Bilaka · Films

Our films,
on screen.

A feature film, a music video, a series. One hand behind every shot.

Aya on the phone, a tear on her cheek, Koffi, The Invisible Chains
Aya and Koffi look at each other across the table of an open-air bar at night, strings of lanterns above them, Koffi, The Invisible Chains
Feature film

Koffi, The Invisible Chains

The house's first feature film, produced end to end without a film set. The same faces from the first shot to the last, one family, one house, and what holds it back.

Aya on the phone, a tear on her cheek, Koffi, The Invisible Chains Two women greet each other on the porch of a house, Koffi, The Invisible Chains Aya and Koffi at the table of an open-air bar at night, Koffi, The Invisible Chains
The singer walks the runway singing, microphone in hand, twenty thousand phones raised, Quiet Crown
Music video · Bana Bilaka · 2026

Quiet Crown

Full music video, produced for Bana Bilaka with no film set. The same face holds from the first shot to the last, under stage light and crowd light.

A sea of raised phones in the arena, Quiet Crown Five dancers in bogolan hold hands under the spotlights, Quiet Crown A man seen from behind, arms open on a rooftop at sunset, Quiet Crown
Zoya at the wheel at night, a tear on her cheek, lit buildings behind the window, Zoya
Drama series · in production

Zoya, the Source Code

First episode of a drama series, currently in production. Characters are locked shot after shot, from the office to the stage, with no drift in the face.

Zoya and her partner smile at each other in the workshop, technical diagrams on the wall, Zoya Close profile shot in a workshop, technical diagrams in the background, Zoya A character works at a bench, in a daylit workshop, Zoya